10.09.21 - 30.10.21
GEOMETRIC DANCES - GLOBAL POSITIONING SYSTEMAnderson's work brings together ancestral cultures and contemporary transhumanism. Her works include sculptures, paintings and drawings, all initiated by dance-performance, combining psycho-somatic organs (human body) and artificial organs (tools, technological objects, technical support). Anderson's approach presents a way of questioning the world facing the dazzling and complex computational development that affects the environment and the living world beyond these ingenuities. For Anderson, the ecological challenge is not to deny these transformational technologies (either in the service of human augmentation or threatening human societies) but to put into question the relationships between humans, environment and machines through dance-performance.
ANDERSON IN 11 DATES2021 -Musée d’Art Moderne de Fontevraud, where she presents her « Women in Power » taking shapes through different scales of Totems made of recycled technological machines.
2020 - Exhibition gathering Anderson’s performances paintings and sculptures at Centre Pompidou - Paris, for the nominees of the Prix Marcel Duchamp.
2019 - Residence at the Atelier Calder in Saché, which enabled Anderson to open up new artistic perspectives with the creation of immense sculpture-paintings.
2018 - Sculptural installation of « Body Itineraries » in the Grande Nef of La Patinoire Royale - Galerie Valérie Bach in Brussels.
2017 - First large scale public commission with « Share » in Paris.
2016 - Circular walk of 181 km at the Saatchi Gallery in London, to memorise a two meter « Biosphere ».
2015 - Hosted by the Espace Culturel Louis Vuitton in Paris, Anderson memorised the venue’s architectural data with wire to create a work which has since joined the Centre Pompidou’s collections.
2014 - Anderson’s exhibition « Memory Objects Memory Movement » at the Wellcome Collection in London attracted 40,000 visitors during 4 months, coming to take part in daily collective performances.
2012 - At the Whitechapel Gallery in London, she memorised along with 25 performers, the photo albums brought by the audience.
2011 - First personal exhibition at the Freud Museum in London. Anderson developed her own weaving technique based on repetitive dance movements and the use of copper wire, to symbolise both cerebral and technological connections of the dawn of the internet.
2005-2001 - Graduated from London Goldsmiths College (Performance) and the Beaux-Arts in Paris (Painting).
ESPACE GRANDE NEF